New Who Season 2

It’s hard to believe I’ve watched these episodes for only the second time ever. In the old days I’d watch Doctor Who over and over on VHS, but these days one or two times through is usually enough for me for quite a while.

Anyway, I don’t have the time or inclination to post full-length commentary on each of these stories at the moment, but I’d like to note my second-viewing reactions in brief and maybe return for more considered remarks later on.

The Christmas Invasion

Probably the fourth weakest Doctor introduction story, after “The Twin Dilemma” (dire), “Time and the Rani” (embarrassing), and of course the TV movie with Paul McGann (possibly the worst Who story ever, which after the previous two I named is really saying something). Okay, maybe “Robot” is worse too, which puts this in the middle of the road. The return of Harriet Jones and a rather legitimately unsettling thaumaturgical threat are overshadowed by the Santas and the over-the-top posturing of the new Doctor, which reaches its nadir in his contrived and unfair treatment of PM Jones when she does what she ought to do. All his worst faults in one tidy package.

New Earth

Cassandra remains a lot of fun, though the rapid-fire body-switch comedy maybe should have come later in the season (and been trimmed down a bit). The “all known diseases” stuff is bollocks but if you squint and pretend it’s ersatz Douglas Adams exaggeration sci-fi, it’s forgivable. The ending is rather sweet. Not the stuff of classics, but its reach doesn’t exceed its grasp.

Tooth and Claw

The debut of the nauseating “we’re too flippant” thread for the Tenth Doctor and Rose. I’ve already written about this one.

School Reunion

Fine, fine stuff. I’m not sure I believe the Doctor was romantically involved with Sarah Jane, but I don’t have to in order to appreciate what this story does in exploring the bond between Doctor and companion. The Krillitane plot isn’t bad either, though it’s the B-story and it knows it. Very happy to have Mickey back, just for a little while. The worst misstep is David Tennant failing to play the Doctor meeting his old friend after hundreds of years; instead, like his performance in “Time Crash” (where it was forgivable), he plays himself meeting Lis Sladen for the first time.

The Girl in the Fireplace

I remembered this as overrated, but on second viewing I have to admit it’s pretty excellent. I’m not completely sold by Sophia Myles’s performance, but she’s adequate to the task, and this is Tennant’s best performance of the season so far. Like a lot of Moffat’s timey-wimey plots, this makes more emotional sense than sci-fi sense, but in this case it’s a decent trade. What’s good is so good that it seems churlish to pick it apart…at least not until the third viewing.

Rise of the Cybermen / The Age of Steel

A sad missed opportunity. This should have been the Cybermen’s “Dalek,” where we went back to the roots of the concept, unearthed what should have made it scary all along, and recharged the menace, but instead it’s aiming for “Genesis of the Cybermen” and falling short. Some good ideas here, and the key idea that these were people who’ve replaced all the important things about themselves is there, but a lot of the subtlety is lost in Lumic’s one-note portrayal and the almost cutesy robotic redesign of the Cybermen. To really drive it home they needed to look more like the Borg, but for many obvious reasons that wouldn’t have flown. Plus I hated losing Mickey, though there were worse ways to go.

The Idiot’s Lantern

Another that seemed better the second time around, but then I hated it the first time. The blustering father is still a heavy-handed character, and the confrontations with him feel more like delayed wish fulfillment than drama. It’s deeply uncomfortable to watch the Doctor and Rose bully the bully as though that puts them on the moral high ground; it’s worse when Rose sends the boy after his father at the end in what is at best a premature reconciliation. The Wire plot is standard stuff, except that it seems even more like magic than usual, and the climactic tower climb sounds and is structured like a boss fight in a video game. On the other hand, it’s nice to see the Doctor defeating an enemy by building something as opposed to just waving his screwdriver at them or insisting “you’ve lost, give up.”

The Impossible Planet / The Satan Pit

This story lost tons of points with me the first time through because of what I now believe I misread as an insistence that no, this isn’t like Azal or Sutekh, this is the real, actual Devil! I also disliked and continue to dislike the Ood (it’s one thing to introduce a slave race to Doctor Who, and another to at every opportunity have them either turn into mindless savages or else dispense mystical wisdom). But this time around the scale of the story really got to me, and I greatly appreciated a guest cast who mostly seemed to have some reason to be there, and in whose fates we could at least feel some small investment. It’s tremendously ambitious, and now I really appreciate its cinematic achievement.

Love and Monsters

Obviously this is a story about Doctor Who fans, and I suspect that whether you love it or hate it depends heavily on whether you feel it’s affectionate or disparaging, and whether you think it’s about you or about “them.” It’s probably a little of column A, a little of column B, and frankly I think it’s terrific. It’s reasonable to hate the kid-conceived Abzorbaloff, but it’s the perfect monster for this story in every respect. This isn’t a story you put on when you’re in the mood for a Doctor Who episode, but that’s part of the point. I don’t mind admitting that the cheap sucker-punch revelation about Elton’s mom got me right in the eye and nearly made some water come out.

Fear Her

I don’t hate this as much as I’m supposed to. I don’t love it, and can’t think of many New Who stories I’d rate below it (maybe season 3’s Dalek two-parter?), but I don’t think it’s THAT much worse than any of the other weak stories. It’s about something, even if it doesn’t treat the subject too gracefully, and if the whole setup is a little Twilight Zoney, there are worse sources to crib from. I’d put it on par with most of Mark Gatiss’s scripts, I’m afraid, except maybe for the cheesy Olympics moments.

Army of Ghosts/Doomsday

It’s the fanwankiest idea ever: Daleks vs. Cybermen! Who wins in a fight? And the big shock is: it really works. Premise and resolution are tenuous technobabble, but what’s in between is gold. Daleks and Cybermen trading insults before letting each other have it, Jackie unwillingly posing as her daughter, the return of Mickey and Pete (and, briefly, Jake), and the red herring about people imagining the ghosts of their loved ones returning, which is paid off so subtly in the truly heartbreaking climax and denouement. At various times this season I had misgivings about the relationship between the Doctor and Rose, and the effect each had about the other, but Tennant and Piper sell this so beautifully and authentically that I had no complaints here. I found myself rooting for the Daleks (vs. the shite new series Cybermen) for perhaps the first time ever in Doctor Who, though I wasn’t sorry to see them leave in the second of many deus ex machina reset button endings. A fine capper to the season, and perhaps a difficult one to bounce back from companionwise: though I eventually came to appreciate Donna, it just seemed wrong to see her here and now and get the annoying “what? what? what?” catchphrase after that ending with Rose.


  1. Greg Stevens · October 30, 2012

    Very interesting look at the “second time around” on this season for you. Personally, I’ve seen the “old series” episodes (for the most part) dozens of times each, and have seen the “new series” ones only a couple of times… but my impression is the same as yours seems to have been: some of the ones I was “iffy” on the first time got better later.

    A couple of things: 1) I hate hate hate the romantic thing between Rose and the Doctor, and I will always hate it. The Doctor is not human, and that whole storyline just breaks my perception from the old series. Luckily, I’m willing to “get past it” in most of the stories to enjoy the rest of the stuff.

    2) I didn’t get the sense in School Reunion that they implied a mutual romantic relationship between the Doctor and Sarah… just that she was in love with him? But maybe I just perceived that the way I wanted to. 😉 LOL

    3) Did it bother you that they re-wrote the Cybermen origins story? Remember, the Cybermen were introduced way back with Doctor 1 as coming from “The Tenth Planet”…..

    • encyclops · October 30, 2012

      1. He’s not human, but he’s humanoid, and it’s not the first time we see a Time Lord involved with a human (Andred and Leela, though that was arguably far cheesier). It seemed like territory we’d have to explore sooner or later and I was OK with it, especially considering that he himself never actually ends up with her. What bothers me more is that we seem to keep going back to this well: the rebound thing with Martha, the marriage (“marriage”?) to River, the quasi-triangle with Amy, and now we’re seeing a kiss between the Doctor and the new companion in the Christmas special trailer. I don’t mind introducing some sex into the mix and I can easily assume that maybe it was there in the old series but we never saw it, but if the Doctor has to be entangled with his companions now to hold viewers’ interest then we’ve really lost something.

      2. It was all double entendre: are they companions or…companions? Mickey jokes about the initial jealousy between Sarah Jane and Rose in romantic terms (“the ex and the missus”), and though I don’t think we’re supposed to believe he’s 100% serious, there’s plenty of room in there to wonder. Clearly it’s meant to seem a VERY deep friendship; they talk like people who’ve been through a sudden breakup in the past. And yeah, maybe it was one-sided. Maybe it usually is.

      3. Well, this took place in an alternate universe (where the Cyberman history wasn’t yet hopelessly tangled) so it didn’t bother me from a continuity point of view. And I just finished watching The Invasion for the first time, so now I see that this story was also a new take on that one (Lumic is partially converted just like Tobias Vaughn, people are controlled by their portable electronics, the Cybermen invade contemporary London). I was mostly bothered by the fact that for all the rewriting and rebooting, they managed to make the Cybermen seem even duller than they were before.